Marshall-G15RCD guitar amp. manual.pdf

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Suggested Settings
Here follows four sample settings to act as starting points from which to develop your own sounds.
N.B. Volume and Reverb should be adjusted to taste.
Pre -amp
Equalisation
Master
G15R CD
Clean
POWER
ON
0
INPUT
10
0
10
0
10
0
10
0
10
BASS
0
10
0
10
HEAD
PHONES
LINE
OUT
CD
INPUT
Power
GAIN 1
GAIN 2
TREBLE
CONTOUR
MASTER
VOLUME
REVERB
Pre -amp
Equalisation
Master
G15R CD
Blues
POWER
ON
0
INPUT
10
0
10
0
10
0
10
0
10
BASS
0
10
0
10
HEAD
PHONES
LINE
OUT
CD
INPUT
Power
GAIN 1
GAIN 2
TREBLE
CONTOUR
MASTER
VOLUME
REVERB
Pre -amp
Equalisation
Master
G15R CD
Rock
POWER
ON
0
INPUT
10
0
10
0
10
0
10
0
10
BASS
0
10
0
10
HEAD
PHONES
LINE
OUT
CD
INPUT
Power
GAIN 1
GAIN 2
TREBLE
CONTOUR
MASTER
VOLUME
REVERB
Metal/Thrash
Pre -amp
Equalisation
Master
G15R CD
POWER
ON
0
INPUT
10
0
10
0
10
0
10
0
10
BASS
0
10
0
10
HEAD
PHONES
LINE
OUT
CD
INPUT
Power
GAIN 1
GAIN 2
TREBLE
CONTOUR
MASTER
VOLUME
REVERB
Marshall Amplification plc
Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England
Tel : [01908] 375411 Fax : [01908] 376118
Web Site - http://www.marshallamps.com
Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement and
development, Marshall Amplification plc reserve the right to alter specifications without prior notice.
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ENGLISH
ENGLISH
WARNING! - Important safety instructions
PLEASE READ THE FOLLOWING LIST CAREFULLY
A.
THE PLUG attached to the mains lead provided is wired in accordance with the following colour code:
Blue
-Neutral.
Green/Yellow
-Earth.
Brown
-Live (UK Only).
B.
ALWAYS ensure that the value of the fuse corresponds to the rating marked on the plug.
C.
DO NOT use your Marshall MG amp in damp or wet conditions.
D.
ALWAYS have this equipment serviced or repaired by competent, qualified personnel.
E.
PLEASE READ this instruction manual carefully before switching on.
F. WARNING This apparatus must be earthed.
From Jim Marshall
I would like to thank you personally for selecting
one of our
Marshall MG Series
guitar combos.
Your new amplifier has been designed by the same
team of British designers who created all of the
great Marshall amps. It is built to the customary
exacting Marshall standards and will give you an
incredible spectrum of sounds to complement a
wide range of playing styles, as well as being
designed to stand the test of time.
The Marshall name has adorned many of Britain’s
finest amps, from the early 1960’s through to the
present day. Some of the original vintage amps
have become highly sought after by both amp
collectors and working guitarists alike.
This new line of transistor guitar and bass guitar
combos have been released to unanimous acclaim.
Your combo is part of a new breed of Marshall
amplifier, which has benefited from years of
experience and continual investment in research and
development.
Not only is the sound quality of your Marshall MG
Series amp of a standard that you would only expect
to come from Marshall’s own design team. The
Marshall G15RCD also has a CD input to allow you
to play along to CD’s. The ultimate home practice
facility.
I would like to wish you every success with your
new Marshall MG Series amplifier, which I am sure
you will find a pleasure to play for years to come.
G15RCD Front Panel Features
Pre -amp
Equalisation
Master
G15R CD
POWER
ON
0
INPUT
10
0
10
0
10
0
10
0
10
BASS
0
10
0
10
HEAD
PHONES
LINE
OUT
CD
INPUT
Power
GAIN 1
GAIN 2
TREBLE
CONTOUR
MASTER
VOLUME
REVERB
1
2
3
4
5
6
7
8
9
10
11
12
13
1. Input Jack
Plug your guitar in here.
7. Master Volume
Controls the overall volume of the amp.
2. Gain 1
Providing that Gain 2 Control is kept at zero, turning
this up to around half way, i.e. around five can result
in some great clean sounds. Turning this up past
half way will result in your guitar crunching up, ideal
for vintage blues or classic rock.
8. Reverb Control
Adding Reverb to your guitar tone will add ambience
and size, giving the effect of playing in a large empty
room or hall.
9. Headphones Jack
Plug your headphones in here. This will disconnect
the internal speaker.
3. Gain 2
This takes off where Gain 1 finishes. Having both
Gains off will result in no sound. Turning Gain 2 will
result in a distorted tone straight away. Turning up
this control even further will result in high gain
sounds, ideal for contemporary styles. Cranking up
both Gain 1 and Gain 2 will result in monster
distortion.
10. Line Out Jack
The Line Out jack is for use for direct connection to
recording equipment or for connection to a P.A.
system.
11. CD Input
This is an input for connection to a CD player, tape
player or other auxiliary device, to allow you to play
along. This is a fixed level input, so volume of your
backing music should be adjusted on the auxiliary
unit itself.
4. Treble
The Treble control will add or take away the higher
frequencies in your guitar tone.
Yours Sincerely,
5. Contour
The Contour control shifts the mid-range frequencies
in your guitar tone. By turning the Contour control
fully clockwise you will scoop most of the middle
frequencies out of your sound, ideal for thrash tones
if combined with high gain settings. By turning the
control fully anti-clockwise you can get some great
fusion type tones.
12. Power On LED
Indicates the operating status of your combo. Red
indicates that the amp is switched on.
13. Power Switch
Switches the mains power to the combo.
6. Bass
Turning the Bass control will effect the amount of
low frequencies or bottom end in your tone.
1
2
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