Artist: Norman Yamada Title Of Album: Being And Time Released: 1998 Genre: Avantgarde Label: Tzadik – TZ 7035 Series: Composer Series – TZ 7035 Format: FLAC Quality: lossess Total Time: 41:52 Total Size: 95 MB Covers Tracklist: 1. Being And Time (Excerpt One) - 1:55 Cello – Ariane Lallemand Clarinet [E-flat] – Doug Wieselman Performer [Fan] – Norman Yamada Recorded By – JD Foster Recorded By, Mixed By – Eddie Sperry Viola – Marka Gustavsson Violin – Theresa Salomon Voice – Kenji Samuel Coleman-Yamada Voice [Reader] – Eliza Gagnon One, Two, Three 2. One - 3:07 Bass – Chris Lightcap Guitar – JD Foster Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Christine Bard, James Pugliese Recorded By – John Marshall Smith 3. Two - 4:04 Bass – Chris Lightcap Guitar – JD Foster Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Christine Bard, James Pugliese Recorded By – John Marshall Smith 4. Three - 6:02 Bass – Chris Lightcap Guitar – JD Foster Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Christine Bard, James Pugliese Recorded By – John Marshall Smith Deterioration #1 5. One - 5:10 Alto Saxophone – Allen Won Bass – Jay Elfenbein Cello – Ted Mook Conductor – Mark Ettinger Flute – Margaret Lancaster Guitar – Adam Rogers Mixed By – Eddie Sperry Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Chris Nappi Piano – Kyle Adams Recorded By – Joe Ravo, Joseph Patrych Trombone – Benjamin Harrington Trumpet – Tom Hoyt 6. Two - 3:46 Alto Saxophone – Allen Won Bass – Jay Elfenbein Cello – Ted Mook Conductor – Mark Ettinger Flute – Margaret Lancaster Guitar – Adam Rogers Mixed By – Eddie Sperry Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Chris Nappi Piano – Kyle Adams Recorded By – Joe Ravo, Joseph Patrych Trombone – Benjamin Harrington Trumpet – Tom Hoyt 7. Three - 4:35 Alto Saxophone – Allen Won Bass – Jay Elfenbein Cello – Ted Mook Conductor – Mark Ettinger Flute – Margaret Lancaster Guitar – Adam Rogers Mixed By – Eddie Sperry Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Chris Nappi Piano – Kyle Adams Recorded By – Joe Ravo, Joseph Patrych Trombone – Benjamin Harrington Trumpet – Tom Hoyt 8. Four - 4:26 Alto Saxophone – Allen Won Bass – Jay Elfenbein Cello – Ted Mook Conductor – Mark Ettinger Flute – Margaret Lancaster Guitar – Adam Rogers Mixed By – Eddie Sperry Organ, Performer [Shortwave Radio] – Norman Yamada Percussion – Chris Nappi Piano – Kyle Adams Recorded By – Joe Ravo, Joseph Patrych Trombone – Benjamin Harrington Trumpet – Tom Hoyt On The Fetish Character In Music And The Regression Of Listening 9. One - 9:12 Bass – Chris Lightcap Bass Clarinet – Tim Smith Conductor – Norman Yamada Guitar – Marc Ribot, Mark Stewart Percussion – Christine Bard, James Pugliese 10. Two - 3:38 Bass – Chris Lightcap Bass Clarinet – Tim Smith Conductor – Norman Yamada Guitar – Marc Ribot, Mark Stewart Percussion – Christine Bard, James Pugliese 11. Three - 4:01 Bass – Chris Lightcap Bass Clarinet – Tim Smith Conductor – Norman Yamada Guitar – Marc Ribot, Mark Stewart Percussion – Christine Bard, James Pugliese - 12. Being And Time (Excerpt Two) - 0:57 Recorded By, Mixed By – Eddie Sperry Personnel: Kyle Adams: Piano Christine Bard: Percussion Kenji Samuel Coleman-Yamada: Voice Jay Elfenbein: Bass Mark Ettinger: Conductor J.D. Foster: Guitar Eliza Gagnon: Reader Marka Gustavsson: Viola Benjamin Harrington: Trombone Tom Hoyt: Trumpet, Piccolo Trumpet Ariane Lallemand: Cello Margaret Lancaster: Flute, Piccolo Chris Lightcap: Bass Ted Mook: Cello Chris Nappi: Percussion Jim Pugliese: Percussion Marc Ribot: Guitar Adam Rogers: Electric Guitar Theresa Salomon: Violin Tim Smith: Bass Clarinet Mark Stewart: Guitar Doug Wieselman: E-flat Clarinet Allen Won: Alto Saxophone Norman Yamada: Fan, Organ, Shortwave Radio, Conductor Notes: Norman Yamada is a brilliant young composer who has worked with Anthony Coleman, Marc Ribot, the Crosstown Ensemble, the Agon Orchestra and was previously heard on the Avant CD by Rough Assemblage. Being And Time, the first CD dedicated to his compositions for small ensembles is an atavistic exploration of rock gestures, ambient noise and today's post-modern malaise. A unique compositional statement from a new generation of genre-busting musical thinkers. /Tzadik/
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