[2015.07] National Geographic Magazine.pdf

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STALKING THE
EBOLA
VIRUS
GANDHI’S
LIVING LEGACY
JULY 2015
PLUTO
FIRST LOOK AT THE
DWARF PLANET
DESTINATION
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K15558
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JULY 2015 • VOL. 228 • NO. 1
Camouflage-
clad bush-meat
hunters pose in
the Democratic
Republic of the
Congo, site of
a 1976 Ebola
outbreak.
30
Stalking a Killer
By David Quammen
The latest Ebola crisis may yield clues as to where the virus hides between outbreaks.
Photographs by Pete Muller
60
On a Roll
Inspired by a bold
chef and fueled by
social media, a global
food-truck craze picks
up speed.
By David Brindley
Photographs by Gerd Ludwig
76
Feeding Frenzy
At feeding time killer
whales reveal not so
much their appetite
as their cunning.
By Virginia Morell
Photographs by Paul Nicklen
90
In Gandhi’s Footsteps
Across India, the author
sees where Mohandas
Gandhi shaped history.
But the leader’s mark on
modern life is less clear.
By Tom O’Neill
Photographs by Rena Effendi
112
Pluto at Last
This month a space-
craft launched in 2006
will get a close look
at our solar system’s
former ninth planet.
By Nadia Drake
Art by Dana Berry
124
Proof
|
Mountain Men
They reenact the early 1800s fur-trading
life and celebrate self-sufficiency.
By Jeremy Berlin
Photographs by David Burnett
On the Cover
In this depiction of Pluto, NASA’s spacecraft New
Horizons passes across the face of the dwarf planet, while its largest
moon, Charon, looms in the background.
Art by Dana Berry
Corrections and Clarifications
Go to
ngm.com/more.
O F F I C I A L J O U R N A L O F T H E N AT I O N A L G E O G R A P H I C S O C I ET Y
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A D V E R T I S E M E N T
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THROUGH THE LENS
Capturing Natural Light
Nevada Wier, award-winning National Geographic contributing photographer and world traveler,
shares her insights on creating the best image.
“
Light is the single most important element in photography. The trick is to use it in a startling
way. I like photographing at the edge of light, when sunrise and sunset can produce such
extreme colors. Both of these images were made in equatorial parts of the world where
those transition times and hues are fast and fleeting.
I photographed the U Bein Bridge, in
Myanmar, just after sunset. The moving
bicycles, tree limbs, bold yellow, and
silhouette show how light, color, action,
and pattern can combine in one instant to make an
image unique. The fishing nets in Cochin, India, were
also photographed at sunset. In this case, that little
blue sail against the orange sky became the special
punctuation that I needed to set the image apart.
You can’t plan pictures like these, but you can train
your eye to be ready for them. The right design, framing,
and moment all matter—but light binds it all together.
”
Light also plays a critical role in vision and how you see the world. That’s why Nevada insists on
Transitions
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Signature
™
lenses when choosing a pair of glasses to wear throughout the day. Transitions
®
adaptive lenses
™
filter just the right amount of light. So you see everything the way it’s meant to be seen.
Maybe even a little better.
Find out more at
transitions.com.
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