Soldatini №117.pdf

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B
IMONTLY
A
PRIL
- M
AY
2016
117
NUMBER
117
C
REATIONS
12
16
20
22
34
36
46
52
Ironsides
by Angelo Amorese and Mario Cazzola
54mm
90mm
54mm
1/ 10
1/ 10
1/ 6
1/ 72
Ivan the Terrible
by Marc Mussat
Brigadier, 2
nd
Regiment Mounted Chasseurs
Hannibal Barca
Kaptain Krab
by Michele Scelsi and Marco Bariselli
by Fabio “Naskino” Fiorenza
by Diego Natalino
“The Eagle” – Britannia, I
st
century AD
The Battle of Agincourt, France, 1415
“The hidden side of the picture”
From the two dimensional portrait to
the three dimensional reinterpretation on scale.
Napoleon 1814
by Luca “Vettius” Montenovesi, Fabio Varesi and Danilo Leo
by Maurizio Berselli
by Piersergio Allevi and Danilo Cartacci
56
54mm
by Piersergio Allevi and Danilo Cartacci
U
NIFORM
C
ORNER
28
Saxon Uniforms. Saxon Cavalry Part one
by Marco Pagan and Franco Saudelli
6
Parade
Editorial Director
Thomas Abbondi
Publisher
Auriga Publishing International S.r.l.
Administrative Office
Via Bressanone 17/1 - 16154 Genoa
Chief Editor
Thomas Abbondi
Editorial Secretary
Giovanni Azzarà
Publishing Director
Alessandro Bruschi
Graphics
Cristina Bonanno
Photography
Alessandro Bruschi
Contributors
Piersergio Allevi, Angelo Amorese, Marco Bariselli, Maurizio Berselli,
Danilo Cartacci, Mario Cazzola, Fabio “Naskino” Fiorenza, Danilo Leo,
Fabrizio Marini, Luca “Vettius” Montenovesi, Marc Mussat,
Marco Pagan, Diego Natalino, Michele Scelsi, Fabio Varesi,
W
Translations
Ilaria Loi
Publication registered at Court of Genoa on 03/04/2001 at no. 20.
All rights reserved. No part of this magazine may be reproduced
without the prior written authorisation of the Publisher.
© 2016 Auriga Publishing International S.r.l.
Auriga Publishing International S.r.l.
Via Bressanone 17/1 -16154 Genoa
Correspondence and Advertising
Redazione Soldatini
Auriga Publishing International S.r.l.
Via Bressanone 17/1- 16154 Genoa - Fax +39 (0)10 6001907
E-mail: soldatini@aurigapublishing.it
here have all the fourms gone? Yes, those forums where up to two
years ago we found a digital haven where we could admire
masterpieces, discussing anything in a more or less animated
fashion and where maybe globalization in our world began, thanks to the
participation of friends coming from the 5 continents with whom informa-
tion was exchanged.
It really looks as if social networks have supplanted them and driven them
to extinction. There is no actual reason, simply an evolution of opportuni-
ties and technology. And just like on forums, sometimes (rarely, actually)
some very interesting debates appear on social networks. It wasn't long
ago that I read a post by a friend wondering why we are all striving for the
perfect paint mix, the perfect lighting, the perfect colour brand or the per-
fect brush instead of simply following good taste.
The debate obviously sparked different opinions and I feel I can offer mine
in regard.
Firstly, I agree that the "perfect" tool or technique does not make an arti-
st of one; at best, it can help us realise what ought to be our ability to crea-
te OUR little masterpiece.
It is also true that the search for perfection has always driven men to
improve and overcome their limits, in the arts and in science as well as in
all other human activities.
I don't think it is simply a matter of following good taste, perhaps it would
be better to create our own taste, through the ability to sift through the
wealth of information we have access to now, a richness of material that
can be levelling at times.
Indeed, this abundance of information can drive us to follow the trend of
the moment, the artist of the moment, the technique of the moment, resul-
ting in an emotionally flat, if technically perfect, approach.
Let us seek our taste and rediscover it, savouring our enjoyment of model-
ling, because it lets us spend time better, because it is an expression of our
souls, because we love it!
Un abbraccio
Giovanni Azzarà
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writing to: Auriga Publishing International S.r.l. - Via Bressanone
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application of the techniques described in the magazine.
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