Soldatini №109.pdf
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B
IMONTHLY
D
ECEMBER
- J
ANUARY
2015
www.aurigapublishing.it
NUMBER
109
D
ECEMBER
- J
ANUARY
2014
C
REATIONS
10
16
22
34
42
46
50
58
The Five Days of Milan - March 1848
by Bruno Carruolo and Ugo Giberti
54mm
54mm
1/10
54mm
54mm
90mm
54mm
1/10
Svedish Medium Cavalryman, 1632
by Andrea Guidarelli (sculpting) and Giorgio Montesano (painting)
The Crusader, Knight of Heaven
by Jason Zhou
The Human Chain
by Maurizio Berselli
Gangway
All is lost
by Roberto DeMeo (sculpting) and Emiliano Iacobacci (painting)
by Luca Olivieri
Robert’s Museum
by Roberto Perillo
Gordon Highlander 92
th
Rgt. Waterloo, 1815
by Fabio Naskino Fiorenza
U
NIFORMS
28
The Seven Year War:
The Swiss Guards of the Saxon Elector
by Marco Pagan and Franco Saudelli
F
EATURES
6
Parade
Editorial Director
Thomas Abbondi
Publisher
Auriga Publishing International S.r.l.
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Via Bressanone 17/1 - 16154 Genoa
Chief Editor
Thomas Abbondi
Editorial Secretary
Giovanni Azzarà
Publishing Director
Alessandro Bruschi
Graphics
Cristina Bonanno
Photography
Alessandro Bruschi
Contributors
Maurizio Berselli, Bruno Carruolo, Roberto DeMeo,
Fabio Naskino Fiorenza, Ugo Giberti, Andrea Guidarelli,
Emiliano Iacobacci, Giorgio Montesano, Luca Olivieri, Marco Pagan,
Roberto Perillo, Jason Zhou
Illustrations
Franco Saudelli
Translations
Carlo Amandola
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© 2014 Auriga Publishing International S.r.l.
Auriga Publishing International S.r.l.
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application of the techniques described in the magazine.
irst class or second class miniatures, patricians or plebeians? More
and more often in the last period I listen, read or have conversations
about where the need of diversifying the “historical” figure from the
“fantasy” one is discussed. The requests are almost the same, to make sepa-
rate contests (not categories!) or at least to assign two different Best of Show,
one for each category. I don’t like this idea in sharply dividing participants.,
even more so because in 99% of cases those who say this are fans of historical
figures. Sharing the same passion and being a part of this world since before
fantasy was so popular, I remain puzzled. I can understand the enthusiast of
history and uniforms that criticizes a precise piece or those totally invented just
to pursue some artistic taste. A Greek hoplite did not have his shield decora-
ted like a Leonardo’s painting, and a Napoleonic soldier used gears and wea-
ponry prescribed and didn’t have an electric blue uniform! But if the modeller
wishes to build Napoleon riding a jet motorcycle whilst holding a pulse gun, if
well sculpted and painted, I do accept it and I think it is coming from a paral-
lel world. What’s wrong with this? What does scare us about fantasy? We all
grew up with fairy tales, didn’t we? We do accept that a piece of wood, thanks
to a fairy godmother and a talking cricket, friend of a cat and a fox, may beco-
me a child after having been transformed into a donkey and having been swal-
lowed by a whale, but we can’t stand the view of an ogre fighting against a
dwarf mounted on a dragon? Besides, fantasy enthusiasts have introduced a
new and incredibly fascinating way of sculpting and painting, bringing our
hobby to high technical levels. Most of all they brought what had been lacking
for a long time, the enthusiasm and the desire of staying together like in the
past World Model Expo: you could see them laughing and having fun
everywhere. If this is not enough, remember that the average age of “histori-
cal” modellers is advanced and that if instead of pushing them away, we could
explain and help them to see that that history, with uniforms and weapons, is
just as fascinating, if not more so, as one of Tolkien sagas, helping them to
extricate between a sabretache and segmented armour, maybe our lead sol-
diers will keep being stronger and present. Let’s stay united, let’s have fun,
we’ll get stronger!
Un abbraccio
Giovanni Azzarà
Created in Italy
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