Woodwork No 005 - Spring 1990.pdf

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-
---
UMBER
5
THOMAS
TOLDRIA
,
Publisher
JEFF
GREEF,
Ed1tor
WARRE .
ASA,
GRAHAM
BLACKBCR
·,
R.] DE
CRISTOFORO,
CARL DORSCH,
ROBERT BRUCE DUNCAN, DO DUPO T,
TERRIE
OLL, SCOTT
PEW, PATRICK WAR ER
Contnbuting
Ed1tor
ROBERT BRUCE DU
C
STA
,
Photography
CLALDIA
LYO
S,
Illu tration
MICHELMA.
,
Adverti 1ng D1rector
FOGLIA
PUBLICATIO
,
Production
DOROTHY FOGLIA,
Production Director
DEA · LARSO
,
C1rculation
MARDEE
E
BLRR MITCHELL,
Cover
Photo
\-'\'000
\-\'0RK
i
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on.
Use Your Table Saw
or Tenoning
.
Power Tooling the Mortis
e
&
Tenon
Joint,
by RJ.
De Cristofaro
Page 54
COVER
STORY
F
ATURES
36
'
34
ROBERT BRADY
-
ESTHETICS
&
CRAFT
-
by
Mardeene Burr Mitchell
--------------------------------
44
I
THE ELUSIVE PERFECT
MITER JOI
T
40
I
A COMB! ATIO
CO TEMPORARY E
D
TABLE
-
-
-
47
I
TUR A GARDE I G STOOL
--------------------------------
TABLE~
DESK
by Robert Brady
-------------------------------------
by
W.
Curtis Johnson
by Ron Holladay
by Warren
Asa
------------------
by
R].
De Cristofaro
48
54
I
THE CUITI G EDGE OF TOOL STEELS
POWER TOOL! G THE MORTISE
&
TE
0
•
by Carl Dorsch
61
-
CREE
WOOD CARYl G
.
-------------
by Cletnen t Ko nzenz
by Grahanz Blackburn
62
I
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76
I G CARYl G
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GALLERY
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ECKER
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DEL LO G
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Ci~----_State~-==-Z_!E_-::::-J
r-------
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:.-------...,
N
#
~
'\I \
: a srnall
)O\\
angle blo k
plane
that
lits
ptrft tl)
in
th
hand
or casil)
in the po ket. The
5'1-"
ast
bronze
1
1
hod\ holds
a
/
"
thit:k
1
/
"
tool
steel
,
hladt
L
us torn tnadt
an
I
hard
ned
to
RL
60-6_
that ''iII takt
and hold
th
!'lharpest
of
t:dges.
)t
~tinles~
steel
black
ad
•
justcr offt:
rs
hldciC control of
rni ron1 tcr
case and
pn::cisic
n.
The ht:ft
and
ftel
of
1
olished hronzt
fashiontd
in
such
d
ligh tful
proportions\\
ill
n1akt: this
one o
the
n1ost
r'l~ac hcd
for tool
s
in vour kit.
.,;
(.)
w
w
(J)
a:
0
cr:
-
>
w
a:
L5
To
order our
llt\\t
st
plan
. 7S.
plu
...
-·
shipping.
or
Free
brochure of
llt:irloorn
Quality Tool
s.
call or \vrit ·:
Lie-
iclscn
·rooh'
orks~
Int-.
Rt.
I
\VarTul.
~1aine
0
l
6
(207)
?.7.,
_s_o
Welcom to th
ond y )'
r
of
Woodwork. In th fir t
ye,
r we
accompli
h d mo t
of
th
goal
w
e
tabli hed
at
th b
ginning of
th
y ,
r,
and
w ar
cit
d
about
th
pro p
ct
in th n w
y
ar.
On of
the
change
in thi i u
i the, ddition
of
ight pc:
g
.
All
of
th)
xtra
pag
,
r d vat d to, rti-
cl .
v\"e
hop to
xpand
th
variety
of,
rticl in upcoming i u
and
h, v
om
int r
tin
g
top1c
pl, nned in th month
ahead.
With thi i u
,
w
al o changed
the pap r w
ar
u ing.
Until
I
got
involv din maga.ttne publi hing, I
wa not
,
war
of
th infinit
var-
i ty
of
pap r
av
ilabl
.
At tim I
wa
impr
d by
a
particular h t
u din
om
publication, but n
v
r
gc: v
it much thought
oth
r than
noticing th f I
or
lo k
of
it.
Picking pap r for
a
magaztn i
imilar to
chao
1ng wood for
a
piece
of
furnitur
.
Pap r i
of cour
derived from wood, but
a
manufac-
turing pro
e
i r quir d to r
ach
that fini h d product which th n
b
com
th raw mat rial in printing.
Mo t m
gazin
ar
print d
on
co
t d tack which
giv
c,
th ur-
face
a
hard
glo y app aranc
.
Until
I
1
arn
d
a
bit
about
printing t
ch-
nology I thought it wa mor) diffi-
cult
to print
on a glo y
urface
b
cau
th ink
could
m
ar or
run.
Thi i not th
c,
a
th printing
pr
e
today
can
dry th ink
almo
t
in tantly in
a
h
at-
t proce
. Thi
m, ke
coat
d tack b tt r to print
on
becau
e
th 1nk i not
ab orbed
by th pap r which r ult in
h, rp r bright r imag
on
th pag
.
Pap
r i
grad
d ba don quality,
much ltk wood. High quality
magaLin
ar
fr qu ntly print d
on,
#3
graded
pap r. Within th #3
range i
a con
id rabl
vari
ty
of
quality
a
w 11
a app aranc
. Much
like
le ting
a cert
in pi
c of
wood with th right
grain
and
color-
ing for
a
proj
ct, you
n d tor
vi
w
many diff r nt pap r to find th
on
mo t uit d for
your
printing job.
I t nd to p nd mar tim
va-
lu, ting th touch
and
f
el of
th
pap
r. A
"
w handl
a c
rtain pro-
duct, I think w uncon
c1ou
ly
ab orb
data
on
it
phy~tcal
f ling.
Thi i what
I find mo
t
attractiv
ab
uta
fin
ly fini h d pi
c of
wood.
Wood
ha
a quahty about
it that
,
lmo t requir
you
to r ach
out
and
touch it. It
conv y a
warmth
that
can
b
oothing.
Pap
r do not hav th warmth
of wood
but the moothn
and
hckn
ar
pi
a ant
to th touch.
Unfortunately aft
r touching and
f eling
10
or
15 differ nt pap r
am-
pi
,
they
all
tart to f
1
th am
.
In
app arance,
th main
con
id-
eration ar
whit n
and glo
.
Blue-whtt h t hav th pur t
whit app arance
but don't hav a
warm a
look
a
the
f)h et
which ar
a
bit
off-wh1t .
A high
glo
on th
he t t nd to
give
lif to th photo
and
illu tration but
can al o
pro-
duce
a glar
which mak it mor
difficult to r
ad.
A with
a
wood
fini
h, th right
amount of glo can
tran mit
an
impr i n f quality.
Obviou
ly, the price
of
pap r i
ba ed on
quality. Th
goal
i to find
the b t po ibl pap r within
th
rang
your
budg t
can
afford. W
revi w d 10-15 different h t
b for
ettling on
th new pap r in
thi i u
.
It i not quite a whit
a
th pr
viou
h t w u d, but it
ha ,
up rior
glo .
Whit n
i
not quit
a
important in wo d-
working
illu tration and photo
becau
e
brown tend to b
a
domi-
nant
color.
Sine
I
am
writing thi without
eeing
the final product, th re i a
certain amount of anxi
ty a to
wh
ther w made th prop r
choic .
Seeing
paper
ampl and
ing
the fini h d print d pr duct ar
two diff r nt thing
.
Pap r
of cour e,
i
only
the raw
mat rial for th printed product.
Color
printing t
chnology
ha
advanc
d dramatically in th la t
10
y ar .
Th
ad
vane hav allow d
publication
to
achi
v high qual-
ity
color at a
rea
onabl co
t.
I
hav
alway
b n fa
cinat
d by how
thing
work and
th printing pro-
c
i
c
rtainly
on of
th mo
t
intere
ting. B
cau
woodwork r
are g
nerally intere ted in how
thing
work,
I hop in
a
fu
tur i u
to di
cu
th pr
c
of
taking th
raw rna t rial
of article
and photo
and con v
rting th m in to a fin-
i hed magazine.
TPT
Another
ayTo ok
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**15

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